First Published in Metamorphosis: An Anthology of Poetry and Prose. Salt Lake City: LUW Press, 2019, pp. 112-113.The flame rose hirer
And the sound of heat, gushed. The button was pushed with fire As the closed door shut, hushed. The leaves unfold As the paper burned. And the crisping sound untold through the centuries traveled, learned A simple Herbological specimen arrived in the collection of Louis XIII. But kept from Australia, as dead men Do keep their secrets, grave born still, 19th. What Labillardière gathered so carefully survived through the revolutions aim. The World Horrors of 20th century passing merrily yet, be so tossed into the consuming delights of flame. Jardin des Plantes, Tagged, boxed, shipped from bureau Muséum National d’Histoire Naturelle, France. Colhelper, No 71250: Tony Bean, botanist, Queensland Herbarium, Australia. Asking des Plantes “where are my catalyst?” the government answered sesquipedalia. Olearia, flowering plant, Asteraceae family Daisies and sunflowers alike. To identify and classify, happily Seed, stem, leaves, and pit to strike. In the notes of a book now closed the package of Australian history, embers. In the oven of biosecurity, disposed the job done, security officers unhindered. The only comfort to centuries of dead gone by an email, no sugar, no feeling. Government empathy, thought, and lies fingered the send button, bureaucrat’s willing. References
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These Poems First Appeared in Adelaide Literary Magazine, No. 37, June 2020Southwest, pp. 159-60
On iron red tipped mountains high, heat and scorched earth cracked in rays, waves brought by arid death-- beams shooting through salt flats barren an age ago, cracking the range as Earth splits the crust westward through basin voids—billow currents of air as red rock and sand falls down the river beds, dry. 2 Spice and pepper, sliced chilés to garnish the dish: cumin, chipotle, jalapeño, corn, purslane, and black frijole served with the flare of rustic ranches. Piñon Pine drops the seed of coffee from green branches, simmered in the kettles, while Prickly Pear cactus reaches for sun raised long, purple flowering light-soaked edibles as red rock and sand falls down the river beds, dry. 3 Big Brown Bat, sonar silence in the night of cool relief, while Great Basin Rattle Snake slithers in waves of shimmering glass. Desert Recluse burrows deep in layers webbed, Cattle ranches in sage brushed valleys, and cowboys lasso and tie. Buffalo roaming the valleys where ancient Ute bones lie, symbol of First Nation Elder Peoples, on iron red tipped mountains high. 4 Stillness protrudes the Desert Solitaire into holes deep gorging. Arches float in mountains ancestral. Smoke reaches the sky above, while canyons gorge the earth deep and wide, painting the rainbow of time for all to see-- pride and transparency-- homes dug deep in Ancestral Puebloan sandstone and beans that fill the stomach, and the cooking pot above flamed mesa. Spiritual desert dreams the weaver of tomorrow, As Bear’s Ear rise above Grand Staircases, red rock and sand falls down the river beds, dry 5 Southwest, living lives in a places that splay life barren. Flourishing among the four corners-- Copland and settler the land reveals it secrets. Welcome horn and home eastern and first nation, love. As the Golden Spike transnational is one, the red rock and sand falls down the river beds, dry From Iron red tipped mountains, rising high. Online reference: https://adelaidemagazine.org/2020/06/20/southwest-by-daniel-cureton/ Raspberry Pie, page 160 Power surging, Body open ready to receive. The heat fired And the gun lifted The metal from the board expert hand steady gliding across my insides the thrill and fun I was unplugged For safety as you felt me up felt my parts felt me shutter as you touched me again in only the way you could You pulled me apart And it was no work But for my own good MOS 6510 Become Raspberry Pi Circuits breaking You screwed me after you finished Tempting me again Making me hot in ways only electric can Old to new, now I emulate Commodore-64 As the 8 bit world turns, I’ll always be your computer whore. The Universe Set Free, page 161 The Bekenstein-Hawking formula is given as Sbh = A/4 X kc3/Gћ Emanating from space, from the precipice of the ultimate curve The event horizon of holes in black, blackened fabric of positive density The universe of the mind, In a Nutshell seeing the beginning and the end of sun stars, moon bodies, nebulas and nurseries Euclidean math and imaginary time, evaporation spheres and negative energy The devotee of Physics and Cosmology, On The Shoulders of Giants Taught us how to peel the sky, understand the ends And find our place in the cosmos. Great brain of the ages, locked away freer than those caged in bodies of flesh Traveling on the currents of the multiverse in 11 dimensions Lucian Professor of Physics, conversing with Newton Running free and rowing home On the rivers of space-time You were here, A Brief History of Time Humanity will miss you, science will Saint you, the Bang will never forget the name Stephen Hawking Brazil National Museum Fire September 2018, pp. 162-63 The rush of hot wind on the men, hands furiously grabbing what they can hold. From a collection of 20,000,000 gems oh what can’t be retold! bombeiros spray with blasted guns fail the 92% gone. They grow limbs as beast of the realm save what can be lifted before the flicker drawn. Science legacy, 200 years of collecting, serving as the reference for the world. Exist now in journal photos, precious research items in embers hurled. The rush of hot wind on the men, hands furiously grabbing what they can hold. From a collection of 20,000,000 gems oh what can’t be retold! The flame creeps along the wall-- Baking, breaking, bashing, burning. Cooking dead knowledge consumed, stomachs full—churning. The insects pinned to posts so carefully recorded and displayed. Brilliant colors, shining as the light dances, fly away in the sweeping winds unbraid. Art woven by indigenous hands, feathers float on the waves. Adorned with delicate history greedy heat stealing down-caves. Masks hide their faces no more, exposed in the cold heat. Melting, cracking, splitting, caving embers on memory beat. Mollusks, 40,000 specimens slow to move, stuck in the shell of time. Gazing death in fire’s eye, succumbed not through, the saving hands of curators’ line. Continents joined—village planes beyond the Amazon rivers, the twist and rounds of throats that rose from the twangled jungled roads. Egyptian and Latin, wrapped in linen preserved, corpses entombed an epoch ago explode. Civilizations out of time-- Crackling sounds, drowning rhythms of drums. Wars, plague, politics forgotten-- Bones rattle their hums. Museum cured of the forever backlog, reels shrink, bubble, and pour. Exu consumed with delight, voices crinkle and crackle—ash tapes of analog speak no more. The rush of hot wind on the men, hands furiously grabbing what they can hold. From a collection of 20,000,000 gems oh what can’t be retold! The flame kisses and the roof falls, the tongue—forked—speaks. Higher it rose, deeper into history, all-consuming death, bleak. Fresco of Popei, buried and removed from the eruption of Vesuvius. Escaping time, heat, ash, dust, and dirt, 2,000 years late, swept into the bin by consuming flame at Rio, lugubrious. Pages fly past on hot current, blackened as the Earth, return from whence they came. Manuscripts so delicate, disintegration’s famished spark to blame Bubbled brain, the lobotomized Brazil. Mourn for the loss, and living unknowable countless millions still. Specimens sent around the world, gone from the drawers of tomorrow. Labels charred—files smashed—cases crushed, Science forever blind, hands full of sorrow. The rush of hot wind on the men Hands furiously grabbing what they can hold From a collection of 20,000,000 gems oh what can’t be retold! Cabinets of potential covered in the wake of collapse, heat tempered to survive. Offering hope to us where there was no sprinkler No insurance-Nature may revive. Dearest Luzia, we thought you gone, 12,000 years born, your skull tells of life. Unborn to Europeans and the Far East, You cut through Nature’s crematorium as the carbon-steeled knife Bendegó stands tall, symbol of hope, among collections that lye dead there. Meteor fallen so long ago, you withstood the bend, will, and crack, Pedestaled you remain—dispel our despair! References
America the Vile, page 164 When did we forget what it means to be American? How cold did our hearts turn to other's situation, not like our own? When did we ignore the flailing dreams of those seeking better, and chill ourselves on the ice of greed? We dream the dreams of today for a better tomorrow, but we leave those who are most vulnerable behind. We seek to further our own money, letting the elderly die unattended. We pass children lying in the streets, starved of futures. We cast the poor asunder, saying they are lazy workers. We call the youth insouciant, labeling them as entitled millennials. We accost the minority, profiling them as thugs and illegals. We close our doors to the immigrants escaping wars, marking them as radicals. We let the Corporation fill our bellies with swill and our minds with hate, placating us so that even Nazis march in our streets. Yet we call ourselves, American. Liberty stands hollow in the East, face shrouded in shame, torch snuffed by narcissists. Our Lady invites the poor, the tired, those yearning to be free, to pass by not the America of dreams, but of condescension and tyranny. The lands of the Earth shake, blackened with living dead, corpses on the tit of capitalism, stained by the blood of soldiers in Uncle Sam’s’ forever wars, thickened like the paint of doom by the talon of the Eagle moving slowly toward the abyss as the bison in the plains. Hope is but a memory, and freedom a passing lark. Columbia dies on the doorstep of the nationalism, calling us to remember “We are a nation of immigrants” Enjoy these excerpts from my new book: Monster Brain: Conversations with OCD, Forty-Two Books, 2019.Anxiety's Bane, page 44 You ever felt it: the uncertainty and distrust? Your own self a stranger not knowing who to trust. Fade in, fade out the focus is so hard. Bright lights, enemies-- soul wretched and marred." Alone IN A CROWD: A Short Film by OCD, page 56 "CUT TO BROKEN PERSON BROKEN PERSON is filled with intense panic. Fright appears on their face, they fall to their knees. BROKEN PERSON NO...NO OCD (V.O) Lade dah, let’s try the old plate to the head! Better yet, hammer to the temple instead. Sharp jolted camera angles zoom onto BROKEN PERSON’S face with angled sunlight illuminating their terror. OCD (V.O) Maybe we can hack off the limbs and pretend it’s Dicken’s little Tims. Or smash in the face, just like the show, and find relief, with the killing blow." A Day in the Life of Compulsion, page 78  Brain Trippin', page 113 "I said oh well!! Don’t care.” he said nonchalant as the anxiety welled inside. The mental struggle was exhausting, the unrelenting grind of obsessive compulsive disorder never relented on the organic machine. “Well Daniel, how about try this fry pan on for size. See how hard it hits the brain with ease?” said OCD “I don’t care. I don’t want to care about fry pan weights on skulls.” “Now, let’s try to see the exploding brains that fly out when you strike.” “Ugh, disgusting. Too bad it’s a watermelon now.” “Problem solved” smiled OCD. “We’ll just reset the loop.”" Heteroflexibe?, page 126 "You could suck off every jock in this locker room and swallow their loads like horchata! *startle* “WTF!?” Every dick I suck means I’m gayer than the rest. “What, I don’t suck dick!” Yeah bro, it’s the hottest thing. “OMG, what are you talking about.” Why don’t you try it, you might like it enough to switch." Hue of Blue, page 148 "With hue of blue, Clonazepam. You sit on the shelf each night, eyeing me with your tranquil plot. I resist like I know I ought. But, can’t help to think you’re right. You land inside so easily. Taking you is so breezily. I close my eyes before the ride, with hue of blue. Sleep comes as the fairy dreamland. No better feeling than dreamsands. I, in wake of anxiety, escape OCD quietly. O, there in sleep I make my stand, with hue of blue."  First Published in Peaks of Madness: A Collection of Utah Horror, Forty-Two Books, 2019, pp. 347-358. “Wow, is that Lovecraft’s typewriter?” screamed Andrew with boyish glee.
“Yep.” Plop. The old machine let out a ding. “We just got it in today with some of his other effects,” said Julie. Andrew was beyond thrilled. An avid enthusiast for Lovecraft and horror, he collected books and memorabilia, fancying himself a quasi-expert on the subject. “Dare I touch it?” he said in a low whisper “What?” asked the other archivist. “Oh, ugh, nothing just talking to myself.” She turned and walked away deeper into the archive. Andrew glanced out the window overlooking the low foothills of Brown University, I’m living the dream, he thought. An archivist at a university working with the collections of authors he loved and admired growing up certainly was one of his dreams. Andrew turned to admire the typewriter. It was dusty and quiet, but glowed in the sun beaming in through the windows. He sighed audibly and returned to his work. He had piles of manuscript documents to process. As the days went by, the typewriter sat on a nearby table and each day Andrew noticed it became cleaner and tidier. At one point, Andrew asked a fellow archivist if anyone had been cleaning it. “No. No one’s touched it since Julie, the one who brought it in.” Andrew was perplexed. Back in the office, he stroked his finger down the front plate of the typewriter. It was dust free. “Wow, either this is self-cleaning or someone is giving it some elbow grease,” he said to himself. Deciding to keep an eye and see if anyone was indeed cleaning it, he spoke to John, the Head Archivist, about it. “Are we doing an exhibition of Lovecraft’s papers?” “No, not that I’ve heard,” said John. “I mean, we’ve done it before, but we don’t have any plans since the collection is old news.” “Well, I’m just curious who is taking care of the typewriter. It’s been cleaned. And no one seems to know about it.” John shrugged. “What’s your curiosity? It’s just a typewriter. We’ll bag and tag it into the collection and stick it on a shelf with his papers.” “It’s just that it’s his typewriter, Lovecraft’s personal one. The 1905 Remington. I think that it’s worth a special value–dollars–also sentimental, which we can capitalize on for a writers and enthusiasts exhibition.” “Ok…I mean, I agree. Maybe in the future we can schedule it to be set up. For now, it’ll just be as is. You can keep working on your manuscript collections.” Andrew gave a nod. Returning to his desk his thoughts caught up with him, Well that’s that, but I have a suspicion someone is up to something with the machine, even if John doesn’t know. Andrew looked at the typewriter, shining on its own (that’s peculiar, it shouldn’t be so shiny not in direct light). He walked over to it and a distinct *click* was made, as the “H” key was pushed down. Andrew took a step back, shook his head and looked again at the machine. That must have been my imagination. Andrew leaned in for a closer look and didn’t come upon any strange happenings. Deciding nothing was there, he turned to walk back to his desk. Another *click* came ringing down as clear as day. Andrew swung around, hoping to catch someone typing, only to find himself alone with the typewriter, and his thoughts. === The Brown Daily Herald Ghost and Monsters Abide within University Archives “Strange happenings on the campus at Brown as staff have no answer to queries of reported shadow figures and poltergeists in the archive reading room. “”No, we have only a staff of eight with a few processing assistants. It’s highly doubtful one of them would be going around and play tricks on staff and patrons. This is clearly people’s imaginations,’ said John, Head Archivist. “This paper will report more online as this story unfolds. Follow us on Twitter @the_herald to stay up to date.” === John flew around the corner. “All staff meeting.” Andrew walked to the reading room where the other staff were gathered. Some were confused, others anxious, but the general feeling was that everyone knew what the meeting was about. John walked in and immediately started. “All right, I need whomever is responsible for the pranks to come forward.” He was holding up a copy of The Brown Daily Herald in which the story had made the front page. No one seemed surprised. Most, Andrew thought, were like him—more concerned over John’s anger than the story. “This ends now,” John continued. “I will not have us be made the fool of the entire campus. That fool will be the one I fire!” He ended the meeting by walking out and slamming the door behind him. Andrew pilled back to his desk and considered his options. Should I set up a camera? What about jamming the keys so they don’t work? While deliberating, he heard the faintest—*tap* *tap*—sounds. Instead of hurrying to the typewriter, Andrew played it cool (Not gonna get me to run around like a headless chicken). Another half hour passed, the sounds on the Remington continued, but with more intensity—*Tap*—came the echo down the hall. Andrew ignored the sounds. *TAP*—the force of the stroke set him on edge. A feeling crept down his neck, shivering down his spine like a slithering cold snake. This is nothing. Nothing at all, just my nerves he thought. Anxiety rising. The sudden feeling that the typewriter was aware that he was aware that it had entered his mind. Like the chill of a cold shower, a voice penetrated, “Aaaaaandrew…” The tingling coiled down his hands as the—*TAP *TAP *TAP*—in rapid succession, rattled the mental frame on Andrew’s conscious hold, and pushed him to listen to the voice. “Aaaandrew…coooome tooo meee…” The voice sounded like a warm glow. A feeling of lusting thirst, dark with temptation, washed over Andrew. The tapping continued with a furious whacking, sounding as if the machine would come apart. Andrew’s heart raced in anticipation. He turned in his chair, expecting to see the person he felt in his mind, as a long-missed lover returned, when suddenly—*DING*—the bell rang, startling Andrew so much that he jumped from his seat with a yelp of fear. He had heard enough. Rounding the corner to confront the mystery typist, Andrew found himself alone, and the machine perfectly still. Someone had inserted a piece of paper on which was typed, “Hello, Andrew.” This is madness. To keep an eye on it and prevent further insanity, he moved the typewriter closer to his desk, perched on another table. Time to take this to the director. Someone is after me. Andrew yanked the sheet from the platen and started towards John’s desk. As he turned a corner, he ran into the director, startling the man who yelled in return, “What’s the matter with you. Are you working or playing on that confounded machine,” he said with a scrupulous look, having noticed the typewritten sheet in Andrew’s hand. “Ugh, no sir. Sorry, I just kept hearing this machine go off. I was certain I’d catch someone playing with it. Here, look, they typed a messaged to me.” Andrew showed the paper to John, who glanced but failed to be impressed by the evidence. “So? You could have just as well typed it right? Move the typewriter someplace where it’s locked, like the manuscripts safe in the vault, that way it’ll stay out of reach of everyone, yourself included.” “Yes sir.” John left him and Andrew let out a sigh. Shit, this damn typewriter is trying to get the better of me. What the hell. The typewriter was placed in the locked safe by a staff member on the other side of the archive in the rare books vault. === A few uneventful weeks passed, allowing the rumors to quell, and to let John cool his head—the staff forgot the whole mess of the hauntings as routine returned. Andrew needed to get something from the vault in the safe. He asked one of the staff women to come along. “I don’t want any issues again, like we had last month.” “Of course,” said Sarah nonchalant as they walked to the safe. “Do you think there could be anything…wrong with the typewriter?” “What do you mean?” she asked concertedly. “Well, just that…” Andrew was uncertain about telling anyone his experience. He and Sarah had been co-workers for a few years, but they didn’t know each other well. “It was like it was taunting me,” he said. “During that whole hauntings mess, it was by my desk and would go off by itself. I could never catch anyone on it.” “Oh…” She glanced out the window, her face widened in alarm. Andrew noticed the look. “It’s just that I’d hear the tapping sound and run over to find no one around, but yet the carriage had moved, paper been inserted, text typed out. It’s a little spooky.” Sarah agreed and he dropped the subject, not finding a confidant in her. They arrived to the safe and Andrew entered the code: “2848-” Andrew heard it. *Tap* *tap* *tap**tap* Shuttering, he stopped. Sarah was far enough back to not have heard the sound. He continued the sequence “-8548.” As his fingers hit the last number the safe door flung open with an explosive boom and a sudden burst of wind from inside that launched Andrew and Sarah backwards into the stacks. Boxes fell from the shelves onto the pair, papers and folders flying out. Andrew rolled on the floor, coming out of his daze and looking up. The typewriter floated out of the safe. It gave off an eerie light. Streams of energy plasma shot out of its sides. The overhead lights flickered and went out. The vault darkened, with only the glow of the typewriter remaining. Andrew gasped, paralyzed with the same fear that had tried to grip him those weeks ago. He looked to his left and found Sarah out cold. He was alone. Electric current filled the air as the typewriter moved slowly toward Andrew, drawing out the breath he had recovered. The—*tap* *tap*—of the keys called to him, the ring of the carriage was the bell of welcome, and the electric arcs formed hands of ecstasy, pulling him in. Andrew sat up and stared wildly at the machine. He uttered a whimpering “No,” but felt pinned to the floor by the hands caressing him as a familiar lover. “You see Andrew, it’s ok now, you can come home with me,” said the machine. Like a tap-dance of death, the keys fired with increasing speed. Papers flew out, landing in a neat stack next to Andrew. A ghostly figure appeared next to him, the shadow of a slender man who pointed down to the pages. Andrew felt compelled to move, the same slithering coil slinking its way down his arms. “Pick it up…” whispered a sultry voice. Picking up the manuscript, Andrew read “The Demon’s Machine” on the masthead. All the pages were blank except for the last, which had Andrew’s name typed out. “Picking up the pages, Andrew saw his name on the page. He looked upward, recognizing the figure of the idol he so worshiped, beckoning Andrew to join him. The choice was clear: resist with eternal pain, or let go and live forever in eternal ecstasy.” Andrew recognized the ghostly figure—H. P. Lovecraft—the soul of the man dead almost a century, come to life to feed. Lovecraft’s ghostly figure smiled, a deceptive demonic flash of teeth as his arms opened wide to embrace the newest guest. No, you’re not supposed to take the souls of your fans. He could feel the warm current flowing inside, the feelings of comfort and love in contrast with his rational brain, and the drain of energy leaving him. The life force flowed out of his body through his eyes, his mouth, and seemingly through the very flesh on his bones. “Let me love you. Death is only the beginning of what can be…forever between us,” it said in a soothing voice. The figure of Lovecraft reached down and gripped the boy’s hand, letting out in the vault a sinister laugh. The alarm in Andrew’s brain exploded as he felt compelled to give his soul to the typewriter but knew it was death come to take him. Just up the corridor came a sudden flash of light. A door swung open and there stood the backlit outline of a person. “Not in my archive.” John walked forward with a jug of motor oil in one hand and a baseball bat in the other. He was followed by an assistant carrying a potted plant. The energy current arced forward and smashed the pot—ceramic pieces flew everywhere. John took one to the back of the head, “Owh, that hurt!” he said. A fire in his eyes ignited, but he kept his cool. The assistant screamed, but continued to hold onto the plastic which had lined the clay pot. In the throat of the typewriter, where the ribbon reels were stretched, Andrew saw a pair of enraged eyes emerge. Hissing, the typewriter slowly moved towards John, leaving Andrew half soul-sucked with the figure of Lovecraft sneering at the pair. “I said not today, mother fucker!” John splashed the jug of oil onto the typewriter. It jerked to the right, only to be met with the bat swung deftly by the Head Archivist. It swayed out of the way, but caught another stream of oil as it went left. Trying to rush John, the oil landed on the keys, instantly boiling, set aflame with its own electric energy. John stepped out of the way. “Now!” The assistant flung loose soil onto the typewriter by the handful. The oil boiled and mixed with the dirt, slowing the machine’s advance. The streams of energy began to flicker. “Get out of my archive!” John yelled, and brought the bat down smack dab between the reels. The furious typewriter tried to suck John’s soul and spewed the dirty mix back at them, but it could only sputter and lose gravity. John gave one final gusto blow onto the keys, smashing the metal and plastic beneath the pine. The machine let out a screech as metal parts flew out the sides and fell to the floor, lifeless. The figure of Lovecraft vanished and Andrew felt life return. The lights came back on in the vault. John stepped back, watching all the souls that had been captured slide out of the machine, off its pages, and vanish as smoke in the wind. John moved to help Andrew, picking him up and sitting him in a chair while the assistant checked on Sarah. “Out cold sir, but she’ll live,” he reported. John nodded, giving Andrew some water. Andrew, dazed, managed to chirp out a thank you, “How did you know?” “Kid, you don’t get to be Head Archivist without having seen your fair share of the strange and weird.” Andrew sighed, guessing that demonic typewriters counted as one of the weird. Nonetheless, he was shook. I never thought that’s how I’d meet my favorite author. John said, “I had a sneaking suspicion from when you first came to me about it that it was a living artifact. We get them in occasionally, but unfortunately there is no Warehouse team to deal with them, so it falls on us. I knew it was biding its time for the opportunity to strike.” “So you knew something would happen when the safe was opened the next time,” Andrew said shaking his head to clear it. “With all the ruckus on campus and your panic about the machine, I knew it would make some kind of move soon. Sitting locked up for several weeks, I’d be pissed off myself. You just happen to be the chosen target, probably due to your association with his work. Thankfully, I’m old enough to know what the bane of the mechanical era is: dust and oil. So, short of holy water, dirt and oil works best. That’ll gum up just about any of those metallic wonders of the pre-microcomputer age.” “And a baseball bat,” said Andrew. “And a baseball bat.” John agreed. Andrew breathed deeply, feeling mostly alive again, and went to stand. John put his hand on Andrew’s shoulder. “We’ll get this cleaned up. In the meantime, I think you can report to the Special Collections Department, they deal with… special cases,” he said with a wink. First Published in Peaks of Madness: A Collection of Utah Horror, Forty-Two Books, 2019, p. 60.Fiend of the night
you came to Deseret for the deeds with saccharin charm The University too easy, the Saints let you in their doors- Elders and girls so trusting blind to bludgeoning psychosis. As you hit so hard. The cracking, deep, in the skull The glorious ideas. The succulent sounds. The warm feelings- that coursed inside. The ease of strangle. The rush of the beat. The thrill of the feel- as the feet kept still. oh Ted- The push of your thrust, into the hard body throbbing against my walls balls shrinking deep, as you came inside within my stiffened space fulfilling the corpse desires screaming ecstasy of compulsion loving me to death the art of murder-sex I never knew love before you corded me Ted Exhibition for one The truest love like the kind you gave in my filth laden grave I’m yours Forever in the cell your memories electrified never forget the high as you stiffen, bulge, and die First Published in Enheduanna: A Pagan Literary Journal, Volume 3, 2018, pp., 50-51.Response to “In Noctem” and the cut scene in which it is used from Harry Potter and the Half-Blood Prince film. The sound track should be played when reading aloud the poem, completing the reading by the end of the song.
*Times indicated are seconds on soundtrack The utter despair. The absolute knowledge of what is to come. Not seeing a way out, Not seeing the light that is around. (Pause. Begin again 0:21*) Angst is little comfort. Hate was my constant. Disdain my sleeve. Scowl my outlook, as I walked into the shadow. (Pause. Begin again 0:36) How did it come to this? (Pause. Begin again 0:41) I was careful. I was strong. I was closed to the dark impulses. Yet I agreed, to take on what needed to be done. (Begin as music arrives at 0:48) To do what no other could. To out pawn the pawn master. To master the manipulator. To show him the wrong of his way in the final moment of his defeat (Pause. Begin again 1:00) Even after my body is cold. Was it all worth it? (Pause. Begin again 1:05) Will the memory of Lily live on? I can walk away. (Pause. Begin again as verses begin duo coupling at 1:11) The clouds form and there is time as the shadow passes. It’s not too late to leave in an instant. But why have I stalled? Why I have I forsaken myself? (Pause. Begin again 1:23) What is love? This thing I could never purge… (Pause. Begin again 1:28) even with the darkest acts (Pause. Begin again 1:38) I know... I know what it is… (To be finished as the second half of the last “Never will forget” begins at 1:45) It is…death. References Học viện HogwartsV. “In Noctem (Into the Darkness)-Hogwarts Choir-Half Blood Prince Deleted Scenes.” Youtube, 24 July, 2016, https:// www.youtube.com/watch?v=P9By0u8CoV0. Hooper, Nicholas. “In Noctem.” Harry Potter and the Half-Blood Prince (Original Motion Picture Soundtrack). New Line Records, 2009. First Published in A Shanghai Poetry Zine, Special CNY Edition 2018The longing, windy lane
Brings all sign of wane But of Shadows, sought Hanging air, death thought Souless wind their way Hope of swallow nay The New Year without The Dog barks its doubt "Ni Gong Xi Fa Cai" But Ni, such is why? Death pets the sleeping The Erhu howls, weeping The road closes dark The gems, dim in spark The lane shows not lots Future yet cast, lost First Published in Peculiar: A Queer Literary Journal, Issue 5, 2017, pp. 36-37Ace-Bright, erect cock, pulsing with new ambition and desire, ready for the picking.
Two-The farmhand waits in the field for the others, ready to sow his seed. Three-Will the test reveal a poz status? He waits patiently, knowing he was as safe as he could be. Four-The queer marriage is here. The wedding party celebrates the unity of two souls. Five-Contention among the Family, no one can agree on how to do PRIDE. Six-The struggle has been overcome, the trans boy succeeds in getting his T. Seven-The bear realizes his marriage is hollow and files the divorce papers, feeling free at last. Eight-The trans girl feels her breasts. All the work and changes are showing. Nine-Is it time for counseling? Can the substance abuse be overcome alone? The bi girl knows the answer. Ten-The SAGE comes out, his family accepts him, and he is free from the life of fear. Page-The lesbian takes the risk and moves in with the new girlfriend. Knight-The nonbinary knows the end is near, haste may be in good order. Queen-Nurturing and captivating, the drag queen mother shows the new queens the artful way. King-Wise and fatherly, the mother dons the beard to support her queer child. First Published in Peculiar: A Queer Literary Journal, Issue 2, No. 2, 2016, pp. 53-55.Tarot and the cards, trumps, courts, majors, minors
So hidden, so deep, looking into the well of mystery So forward, so front, looking into the well of souls The Majors 0. The fool so sweet and bright, delicious to the taste and very desirable. I. Magician, mighty and power, stripling being of creativity and manifestation of queer universes. II. High Priestess, on her heavenly throne of spirit, nips perky and eyes clever, giving wisdom to human kind. III. Empress, on her earthly throne of nature, wise and empowered, cunt of Gaia, protecting, nurturing, casting her nets of destiny. IV. Emperor, on his earthly throne of power, strong and long cock of Hern, building his cities and empires with the vein of blood and leather. V. Hierophant, eyeing the gaily priests, pulling wisdom from the makers, in heels and flowing drag. VI. Lovers embrace in a tangle, limbs and hearts, mind and soul, pan and fluid, in the storm of passion. VII. Chariot running wild, speeding to the new worlds. Spinners flashing and stuffed dice hanging off the poles, two mighty stallions stomp all hate in their paths. VIII. Justice swaying the sword of truth and exactness, meeting out mercy and rule of law to the denizens, blind, yet seeing--kind, yet just, unjudging to all. IX. Hermit, questioning the world, identity, gender, sex, dualities, binary-dichotomy. They find inner peace and strength through solitude and reflection. X. The Wheel of Fortune spins density, delivering fortune good and bad, teaching all. XI. Strength flexes their oily muscles, gleaming in front of the tiger of shame, knowing they will win with T/E. XII. The Hanged Man, hangs with desire, sensing his loss but improving his sight…Odin’s eye is keen and the boa’s bondage is strong. XIII. Death brings release, change, gratitude, new states of being. XIV. Divine Temperance spreads her wings, knowing she’s done this before, but the message wasn’t learned, the people didn’t listen; they forget her films. XV. The Devil smirks as he’s won, thinking that ignorance reigns and the people are bound, yet his ignorance blinds all but of queer. XVI. Tower, tower of change, tower of shame, but tower of freedom. You pull the wig off the Devil’s head, shaking his kingdom and bringing awareness to twink, bear, chaser-rippling change through fur and skin. XVII. The Star, ray of hope and brilliance, shining in the abyss of ruin, giving light to the lost who will triumph. XVIII. The Moon warns of false illusion, let not the fuckboi hide his fluid gender. XIX. The Sun shines upon all, happiness reigns as the resolution nears, the gaybro choir rejoices. XX. Judgement signals acceptance, enlightenment, awareness of past, present and future. They know now what they fought, what they declared a myth before, was Truth. XXI. The World gives you her oyster, shimmering mermaid/man of possibility, the change is done, and all are free to seek their destiny. First Published in Enheduanna: A Pagan Literary Journal, Vol 1, 2016, pp., 87-94Walt was loafing about in his usual place, between E and 23rd street. Taking notes of the denizens he so loves: Big Joe, Yellow John, all those usual guys barked a greeting as they strolled past in their omnibuses. Walt gave a grin, a slight nod of the head, and watched as the omnibuses were swallowed up in the sea of traffic and people. Loafing was one of his usual activities when he needed to get out, feel alive, feel the city, and taste the electric air of the world in one place.
The sun stretched higher, noon approached, and Walt decided to stroll around the blocks, even grabbing a bite at a café if the smells took him in. Sausages on a stick, potato cakes from the Irish, cabbage soup, fresh bread, boiled eggs, varieties of apples, Greek porridge. He passed the alleys where the fish were cleaned, the docks stank of old blood and rotting flesh, but he paid no mind—it was all part of the experience. He kept strolling, around the blocks as the sun swooned higher into the sky, chasing a cloud. He came to a little place he usually frequented after the opera, called Dimitri’s. It served all manner of Russian food. He had a particular liking for the tart and sour dishes, and was in the mood for shchi—the cabbage soup here was particularly sour. Plopping into a chair, he took out his pencil and daybook to jot a few notes as the chef heated him a bowl. “Saw the guys—the usual suspects encouraging me. Big Joe, Yellow John, Dandy and the rest that keep E. street nailed down. It felt great to be in the crowd of people, flowing like the sea between the buildings, the street—offering up to the Earth payment for their day activities—I merely watched, feeling the sun on my face and the wind in my ear.” Walt looked around, but didn’t see any familiar faces. So many new people, immigrants, drawn from afar to the big New York—often he could walk for miles and not encounter anyone he knew—how the place had changed. The soup came, the clumsy waiter spilling some on his notebook, but Walt knew it was part of the exchange, customer and restaurant—living organism and soul, making his place in his life, so he wasn’t bothered. He slurped up the soup, the sour taste hitting him instantly, and dipped the hard black bread that into the bowl. It was so tough these days it had to soak a little to soften. A few young Russian boys walked in, on break from the day’s labor at the meat market. Covered in blood, but fair in the face, Walt ogled one or two as they walked by, bread hanging out of his mouth. With faces as hard as the bread, Walt suddenly had the desire to sink his teeth into one of these boys. A little young, but no doubt the kind he admired: hard working, rugged, those that understood the city—fresh to America but would give their souls for the freedom it offered. “Young and fresh—hard working—candied meat on sticks.” He jotted. “What I wouldn’t give for a strong, western, fresh faced, bearded, scythe swinging man to ride his horse into this town and sweep me off my feet.” Walt continued eating, watching, admiring the young workers as they ordered some pelmini and black bread with Kvas to drink. He lounged for a bit, enjoyed the feeling of fullness, resigning his mind to wander on the lines of poetry he wanted to publish in his upcoming book Leaves of Grass. He could feel the changes around him, the tension in the air, and thought to himself LOG should help change the feeling in society, give people some grounding and renewed sense of direction. Some may even find inspiration and peace from my work. Walt knew that he had the upper hand to make his book whatever he wanted, having connections in the print industry gave certain perks. Newspapers—papers, diaries, shit of cows…the day in and day out of newspapers. Low quality papers of the day were abound, but Walt had his fill with the editing post at the Brooklyn Eagle. Now working for the department of the interior, he had the time to write his own works. He rose to leave, throwing a silver dollar and half a penny on the table. The waiter bowed. Walt shuffled out to the street, taking in the later afternoon sun and clouds passing over. He wander back up to E. street, standing on the corner where the vegetable boys and sellers were. The locals knew Walt, and the kids knew he always had candies of sorts: peppermint, butterscotch, and licorice were usual to be found in his pockets. He would toss a few to the boys and let them run to catch them. Through the crowds, a strange figure appeared. A young woman—no more than 25, wearing a white dress and brown shawl, scarlet red hair and a content look—was standing on the curb with another woman, who was dressed in darker clothes with a pin up bun. Walt recognized the current Baltimore fashion of the latter, but was curious as to the origin of this odd and rare creature. His eyes followed the pair across the street as they went to a lounge for ladies. His curiosity followed him as he found he was already walking past the lounge, curious to see what was going on inside that could attract such a pair. The windows were dirty and the lighting dark, but he could make out a few dozen women of varying shapes and sizes floating about the room. The sign on the window read “Ladies Lounge of New York. Est: 1843.” Apparently this was a women’s group, a society for their kind. Stroking his beard and looking around, he was wondering if he could sneak inside, but by the look of the two stocky women guarding the door, he’d rather not receive a lashing of any kind today. He sat on a crate nearby and wondered how he could attend the meeting. Clearly men weren’t allowed. He had a few friends he could send, but he knew they wouldn’t take it all in like he could. He leaned against the brick foundation, relaxing in the shade of a tree that lined the avenue, when he glanced over and a few windows down was a women’s dress shop. He continued looking at the fashions, the trims, the lacing, and then it hit him. Oh to be a lady! The idea excited him so much that he leaped off the crate, nearly falling over, and ran to the shop window. Which one, which one could I get. Of course I couldn’t say it was for me. They’d never let me try them on…but if I can get one that’s about my size and height, it may just work. Looking around for someone about his size, he didn’t spot a broad strapping handsome woman in the vicinity. Though disappointed, he wasn’t dismayed. He knew where to find such a broad. “To the markets.” Big working women put in their days there along with the men to bring in extra income to the home—most with large families with husbands who had jobs as laborers; some cases, even the children were out working. Walt strutted into the markets at about 4 o’clock, aware that soon the day would be over and everyone would close up. He needed to hurry as the shops down by the Ladies Lounge kept banker hours as well. Amidst the stench of rotting flesh, fish, fruits, the distinct odor of animals, sweat, and rain perfumed the air. A light shower had washed through, pooling all the filth into the paths, but he was used to the sweet odors of the city. Walking along he received the occasional wink from the broad shouldered ladies. Hands like stone—libidos like a steam engine—he was aware that any of them could take him down like an Amazon woman; such work did not relive its stress in the open, but on the bed post. The more refined women worked the fruit and flower stands. Their labor wasn’t as strenuous. Chopping stems and fruit didn’t compare to the cutting of bone and sinew the beefy women did by hand at the slaughter stall. They also smelled less of the stink of the alley; a slightly sweet overtone. He decided to approach a red headed young woman, wearing a brown working dress and yellow apron, cutting plums with a knife “Miss? Could I ask something?” “Aye?” “I have a strange request, but hear me. Would you be willing to pick out a dress for me.” The woman sneered slightly. “Oh don’t get me wrong, you see, I can’t quite go into the dress shop and pick one out for me. I’m trying to meet a lady I fancy and I’d rather do it in disguise, and for that, I need a dress. And well, you’re about my build and height, so if I gave you the dollars, could you pick one out? I’d also pay you for your time, say $5?” The Irish gal sat there—not knowing what to say, simply holding her knife and plum—looking down and away to think, still in shock at the strange request. “You know, back in Ireland, I saw some pretty strange things. People dyin’ o hungar, no food or potatoes anywhere. Some Scots wore their Kilts, but nottin’ of dis sort, I tell ya, your’ a strange fellow.” “Yes, well, no need to dally any longer. Will you do it? “ “Aye, for $7 dollars you got a deal.” “$7! My, you drive the bargain. Ok. Let’s get on down the road. What’s your name?” “Tenna, Tenna Tipton. You sir?” “Uh, Whitman, call me Whitman. Nice to make your acquaintance.” “Uh huh, likewise. Any man worth paying me $7 is a man I need not ask questions to.” “You one of the Irish, come over because of the famine?” asked Walt. “Yes sir, not a good potato in sight in ma’ village. Pretty sad really, but life here is better, more work, more free. Not the cursed British comin’ down on ya at every turn.” “Sorry to hear that Tenna, at least you made it out. I know so many that didn’t.” “Aye, it is wut it is.” They arrived at the shop before closing. Walt walked in with Tenna—still in her apron on from work—as the shop keep might not sell to her. He walked in behind her and told the keep “I’m looking for a day gown for my lady here, something modest yet formal.” Tenna took off her apron and handed it to Walt while she went with the shop keep to be fitted. Walt settled on something brown with green trim, nice earthy colors that would be cool in the hot sun. The dress cost $40 dollars. He also purchased a makeup kit and bonnet for $10, he couldn’t walk in looking like a man in a dress. He gave the keep a sixty, with three dollars in tip. Once outside, he handed Tenna her apron back with the seven they agreed upon. “You just made an old gal’s life easy this mont’. Sellin’ fruit doesn’t exactly bring the money.” “I’m glad we could help each other. I’ll be sure to come back for my next shopping day and get some of your plums. I know they’ll be sweet and delicious prepared by your loving hands” and gave her a wink. She smiled and nodded, and walked off. Walt walked back to the alley behind the Ladies Lounge to change. Remembering he couldn’t waltz into the place with his scruff, he went for a $4 shave and cut at the barber around the corner before returning. He put on the green dress and stuffed his other clothes in an empty crate. The fit was a little off, but not too snug or loose. Not walking around too much to prevent chaffing at the seam, but inside he was loving the fabric, the feel on his skill, the colors. He brushed on what he thought was a reasonable amount of blush, lipstick, and covered his hair with the bonnet. Gaining some confidence, he walked into the crowd and set his eyes on the door. No one paid any attention, as he was dressed enough to pass as a lady without close scrutiny. With one big intake of air, he turned the knob and walked into the lounge. About a dozen women were positioned in chairs, at tables with cards, or milling about the place. He received a few glances, but nothing out of the ordinary. The big women who had guarded the door in the afternoon were nowhere to be seen, so ordering a drink from the bar seemed fitting. They didn’t serve anything strong here, just some gin, vodka, and whiskey. Must be due to the ladies fragile nature and temperament. “Gin please,” he said in a soft voice. “Ten cents,” replied the barkeep. Sipping the drink, he scanned for the woman in white with the flaming red hair, but she wasn’t there. Damn, must have left. There were other rooms, so he walked through and found a few different parlors. One with lectures, poetry readings, a smoking room, and one with sofas. He spotted the woman in the lounge with the sofas, reclining on the other woman she had been seen with earlier. Walt wasn’t sure how to go about introducing himself, so he sat down to a sofa adjacent her and listened to the dialogues going on. The woman didn’t speak much, just her companion. He caught her name in passing: Emily. She was invited to read some poetry. Walt was intrigued; was it hers or a famous authors? Tennyson perhaps? Emily opened, “I thank all the masters for coming, please enjoy these few sparse lines of my creation.” Walt raised an eyebrow of interest. “Oh this wondrous sea—sailing silently—Ho! Pilot! Ho! Knowest thou the shore where no breakers roar—Where the storm is o’er? In the silent West Many…” Suddenly a ruckus was heard near the front. The two sturdy ladies like tree trunks who had been guarding the door were back. They were confronted by a gang of gentlemen who demanded entry. “Ma’am, kindly remove your stoic self from this door so I may enter.” “Ladies only, this is a Ladies Lounge sir. Can’t you read?” “Lounge yes, but not for ladies. The only ladies I see are perverse lesbians trying to claim my wife!” The woman slapped the man’s face. Walt snuck a peak through the doorway to the entrance. Men concerned that their wives are prey to the more subversive types that populate the lower section of Manhattan. I better scoot. Refusing to move from the door, the group of men pushed into the two ladies. Other ladies came to the door to fight off the crowd. Some of the men in back had sticks and clubs with which to beat anyone in their way. Walt walked back to tell Emily to leave when he heard the first *crack* of the skull on one of the large stoic ones. Running back, he entered the front just as a woman turned, swayed, and fell to the floor. Wide eyed and, in knowledge that he’d be ruined if anyone found him in drag, he hiked he skirt and yelled, “come on ladies,” fleeing through the back door. Walt and his group of women were met by another gang who had been around back to catch any escaping out the exit. He pushed headlong into the group of them, barreling them over and giving enough time for the other ladies to escape. He brought up the back, with the men in hot pursuit through the back alleys of New York. Walt knew the ladies wouldn’t last long in an open run. “Into the crowds!” he hollered as they came to E. street. He grabbed Emily’s hand as the group of ladies split among workers, citizens, and street traffic. Swirling among the masses, Walt and Emily—with her companion, Susan—quickly lost the gang as they blended in. They slid off the street and into the shadows of an antique store. They made their way to the back of the shop before the owner came out. “May I help you?” “Just looking,” said Walt. Two of the gang members came in, and the trio ducked behind a Japanese curtain and exited through the back door quietly before the men noticed. Breathing a sigh of relief, Walt gestured, “We need to keep moving, down the alleys and away from E. Street.” Emily and Susan nodded, and they made their way to 35th and D. It was nearing sunset when they emerged. “I think we’re safe now. That was close.” said Walt. Emily looked at him, starring into his eyes, deep into his soul. “What manner of woman haven’t the Gods seen these long mortal years. Thank you, I thank you for saving us. We had no idea such happenings took place.” “Neither did I. I’m Wal…Whitney, Whitney Whitman. And you are?” “Emily, Emily Dickinson and this is my sister-in-law Susan. We are here just for a trip to read and hear poetry. I myself being a poet of no manner from Amherst. Susan being my confident in all poetic doings.” “Brilliant! That was your work then I heard. I quite enjoyed it, being fond of the sea myself, growing up in these neighborhoods. I’d be interested to hear more of your work.” Emily blushed, “it is of no significance. I never do this, but was missing my dear Susan. To own a Susan of my own is the greatest thing.” Susan blushed as well, giving Emily a side smile. “Well then, how about over dinner? We can talk about words, places, things of the sea? Fish perhaps? It’s no problem for a lady to be out in the city, we aren’t like other places in these United States. No man required…but I fear that’s what got us here in the first place!” said Walt laughing. “I fear our dearest Whitney that we can’t, we are headed back tonight by coach to Baltimore before I part for Amherst. I will be seeing Susan and my brother at their home.” “Well, that’s too bad. Let me give you my address and we can exchange some letters. Poetry and words? I do long letters and writing, myself a poet. I can tell you about all the happenings here. You could also return and visit sometime.” “Quite desirable, I agree. One day is not enough for such grand adventures. Alas, no paper or pen is near.” “Don’t worry, I have some.” said Walt pulling some pencil and a small notebook from an inside pocket. Susan noticed his hairy legs. “Trends of Manhattan?” Walt looked down. “Oh…ugh yes, you know, from the French…” He wrote down his address and handed it to Emily. It read 91 Remsen St., Brooklyn, NY. “Wonderful. As soon as I return to Amherst, I shall post right away. I look forward to it Whitney. One needs good strong friends like you in exciting places.” The trio parted ways. Walt picked up his clothes from E. street. --- A few weeks later a letter came in the post from Emily. The handwriting had a certain eloquence, yet blocky look. My Dearest Whitney, What a glorious evening it was the day we met. Like a knight out of a story, you saved us from certain doom. I owe you at least the words to the poem you so liked that I was reading. Please take them in payment for a debt I can never repay Oh this wondrous sea- sailing silently- Ho! Pilot! Ho! Knowest thou the shore Where no breakers roar- Where the storm is o’er? In the silent West Many- the sails at rest- The anchors fast Thither I pilot thee- Land! Ho! Eternity! Ashore at Last! I hope this letter finds you in good health and that we can communicate very soon. Please send a return as soon your time permits. I am very much waiting your reply. In loving admiration, Emili Walt gave a big smile, promptly pulled a fresh sheet from the floor, and began writing Lovely Emily, I was so pleased to hear from you. I hadn’t expected the letter so soon. But what delightful pleasure it gave me to read the words. It is a quiet day here in the city. I was walking about as usual, taking in the smells, tasting the sounds, seeing old friends and making new ones (but none like you!)—The sun beams its linear rays down upon my house, yet it is not as bright as if you were here! Your presence—your words would fill the room—I would bask every minute in them. I will carry your letter every day till I have it committed to my memory. Is your companion Susan is well. She didn’t talk much, just moved her body to the sounds of the city—she’d do well here. Of course one big city to another, Baltimore to New York. How I would love to see the country whole, go west perhaps to Illinois and beyond. Such fresh opportunities in those western mountains. Today has been a composing day. I am working on a book, Leaves of Grass that I’d like to publish soon. Of course I have many scraps of paper and little notebooks I take everywhere. I can’t miss any moment, any opportunity—to record life, the universe—the birds, bees, squirrels, sounds, scents, leaves, pleasures, people, and jostling of the day. But tell me, what do you think of these words, to be found in my upcoming volume, they at least can please you till my next letter I CELEBRATE myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, form’d from this soil, this air, Born here from parents the same, and their parents the same, I, now thirty-seven years old in perfect health begin, Hoping to cease not till death. Creeds and schools in abeyance, Retiring back a while sufficed at what they are, but never forgotten, I harbor for good or bad, I permit to speak at every hazard, Nature without check with original energy. I would love to read more of your words. You have such a grace about you-timid, yet powerful. Anything you can send along I will be sure to devour into my soul. Eternally Yours, W W |
AuthorHere are samples of my writing out in the world in print in publications and journals. Archives
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